2008 Spotlight Miami Dade College
When U.S. Secretary of Education Margaret Spellings delivered the commencement speech at Miami Dade College in May 2008, she hailed the famous community college as “the largest and most diverse college in the nation—and probably in the world.” Miami Dade enrolled more than 58,000 students in fall 2007 and 32,000 other noncredit students. It awards more associate degrees than any other U .S . college and claims the largest enrollment of Hispanics and black students. It changed its name from Miami Dade Community College to Miami Dade College in 2003 when it began offering bachelor of education degrees.
Despite the switch, it remains primarily a community college. In 2007 it awarded 45 of those bachelor’s degrees—and 6,500 associate degrees. Spellings, who also received an honorary degree (as both President George W. Bush and First Lady Laura Bush had before her), said in her address, “Everywhere I go, across our nation, and around the world, I meet people who are trying to achieve what this college has done and is doing. Last summer, your president Eduardo Padrón joined me on a delegation of university presidents to Latin America. We held up Miami Dade College as a model of how to help more people access a college education.” Padrón is a Miami Dade alumnus who emigrated from Cuba at the age of 15 in 1961, the year after Dade County Junior College opened on a World War II U.S. Naval air station north of Miami in quarters so modest that it earned the nickname “Chicken Coop College.” It was Florida’s first integrated community college and quickly grew to become the largest institution of higher education in the state.
Globally Themed Arts and Literature
Miami Dade says its mission “is to provide accessible, affordable, high quality education by keeping the learner’s needs at the center of decision-making and working in partnership with its dynamic, multicultural community.” It backs up those words with an array of activities that have both internationalized the curriculum and enriched the cultural life of perhaps the most international city in the United States. Padrón has personally played a large part in helping the institution fulfill this mission. He has been Miami Dade’s president since 1995 and before that led the downtown Wolfson campus for 15 years. At Wolfson, he played a pivotal role in the birth of the Miami Book Fair International, which brings hundreds of authors and attracts several hundred thousand visitors during its eight-day run each November, culminating with a colorful street fair on the Wolfson campus. More recently, Miami Dade became the principal sponsor of the Miami International Film Festival—11 days of film premieres, lectures, and red-carpet events that attract film directors and stars from Hollywood and around the world, with a special emphasis on the filmmakers of Spain and Latin America. It is the only major film festival affiliated with an institute of higher education.
Vivian Donnell Rodriguez, a veteran Miami arts administrator who became Miami Dade’s vice provost for Cultural Affairs in 2007, said, “It is second nature to all of us to create programs that are diverse, because that’s what our community is. They reflect the people that live here. These are our audiences. It’s a very natural result. You see it when you walk through the halls of our campuses and see the interchanges and hear the languages. This isn’t something that we have to go out of our way to do. It has to happen this way.”
Both the book fair and the film festival complement what the college calls its “living arts curriculum” of globally themed arts and literature programs, including master classes taught by visiting artists and opportunities for Miami Dade students to dance, sing, and perform on tours that in the last year alone took them to the Dominican Republic, Italy, Taiwan, and other distant stages. “We are very proud of our students, for they have demonstrated that higher education can be a model for international cooperation and understanding. Our academic excellence is rooted in our respect for the diverse origins and traditions of our students and faculty,” Padrón says.
The Miami Book Fair International, which began as a two-day street fair in 1984 called “Books by the Bay,” has grown into the largest book fair in the country. Local booksellers and librarians conceived the fair as a way to convince publishers to send more authors on book tours to Miami. They approached Padrón and asked for his help. He liked the idea, having seen firsthand how book fairs had become “signature cultural events” in Barcelona, Spain, and Buenos Aires, Argentina.
Miami had nothing like it at the time. He agreed to put up $75,000 and host the book fair on the Wolfson campus. “It immediately touched a nerve in our community. Miami draws all kinds of events and conventions geared towards tourists, but this event was ‘for us, by us.’ The book fair is open to everyone and draws people from all walks of life, all united by the written word. People had been waiting for something like this,” said the president, an economist by training.
Today the book fair’s annual budget tops $1 million, with local governments, foundations, businesses, and other sponsors absorbing most costs, and 1,500 volunteers—mostly Miami Dade faculty, administrators, staff, and students—pitching in. Alina Interián, executive director of the college’s Florida Center for the Literary Arts and longtime book fair impresario, said, “We pride ourselves in having created a very successful formula that has been emulated by a number of communities around the United States.” Miami Dade runs ads for the event in Publisher’s Weekly and The New York Times Book Review. The literary lions who have read and lectured at Miami Dade during the fair include 11 Nobel Laureates (from Saul Bellow to Toni Morrison to Octavio Paz to Derek Walcott) and more than 50 Pulitzer Prize winners (from John Updike to Rita Dove to Miami’s own humorist, Dave Barry). While there is a modest admission charge ($5) to the colorful, three-day street fair at the end of the week-long celebration, all the author lectures are free. A parallel program in Spanish draws Ibero-American authors and poets from Latin America and Spain as well as Brazil, Portugal, and the Caribbean. “But the fair is hardly limited to these countries. Authors have traveled to the fair from Israel, Russia, Ireland, England, Italy, Canada, Nigeria, Congo, and more,” said Padrón.
“Authors have traveled to the fair from Israel, Russia, Ireland, England, Italy, Canada, Nigeria, Congo, and more.”
Miami Dade stepped in to sponsor the glittering Miami International Film Festival (MIFF) in 2004 when Florida International University bowed out. The budget for the Miami International Film Festival tops $2 million, but the college has a gold-plated list of partners, American Airlines, the Miami-Dade County Department of Cultural Affairs, and the Miami Herald among them. The John S. and James L. Knight Foundation also has put up three $25,000 prizes for the best films. Originally, the film festival was confined to the former Olympia Theater, a silent movie palace and vaudeville theater built in 1926 to look like a Moorish castle. Maurice Gusman, a business magnate and philanthropist, saved the theater from demolition and donated it to the city in 1975. It was restored and placed on the National Register of Historic Places in 1984 and has undergone further restorations in recent years as the Gusman Center for the Performing Arts. But MIFF has outgrown the Gusman. With 166 films from 54 countries, including 10 world premieres, movies were screened at seven venues around greater Miami and Miami Beach at the 10-day festival in March 2008. More than 75,000 people attended the screenings, talks, and related events in 2008. The film festival reflects the college’s commitment “to arts, to culture, and to the community,” said Vivian Donnell Rodriguez, the college’s vice provost for Cultural Affairs. “Obviously our mission is one of education, but we do that in a variety of ways, not only through classes and continuing education, but through all these cultural programs as well.”
Extending Beyond the Campus
Miami Dade also imbues international arts into the curriculum through two complementary initiatives: the Cultura del Lobo Performance Series and the Center for Cultural Collaborations International. Cultura del Lobo, meaning Culture of the Wolf, was a play on the name of the downtown campus, Wolfson. It began in 1990 with the aim of bringing to campus “the newest, most-challenging performing art being created today with a focus on Latin America and the Caribbean and work that is reflective of our multi-ethnic community,” according to the college’s Cultural Affairs Department. The Center for Cultural Collaborations International was launched six years later to commission new works and support international artists who come to Miami for residencies during which they would create, perform, and teach master classes about their work, said Jennylin Duany, the center’s residency and education coordinator. An early grant from the Ford Foundation provided seed money for the center’s international initiatives.
Each year more than 12,000 students and other Miami residents attend the more than 100 performances and master classes put on by the dancers, actors, and others artists that the college brings in. Latin and Caribbean arts and culture are richly represented, but so are other cultures and regions. Last season, among the featured artists were the Spanish Harlem Orchestra, the Urban Bush Women (from Brooklyn, New York) performing with Senegal’s all-male Compagnie Jant-Bi, and a dance troupe from Belgium, Compagnie Thor, making its American debut with a show called “D’Orient” choreographed by Thierry Smits that paid homage to the world of the Middle East. In all, 40 artists performed at venues across Dade County and held 150 master classes, taught both at Miami Dade College, its New World School of the Arts, and in local public schools. While the general public pays up to $52 for a seat at some of these concerts and performances, Miami Dade College students and staff pay only $5. Teatro Prometeo, founded in the early 1970s to preserve and promote Hispanic culture through theater, in 2006 became part of the Florida Center for the Literary Arts. It sent students to perform at Casa Teatro in Santo Domingo, Dominican Republic, in December 2006. Miami Dade College students regularly perform on other international stages as well. In summer 2007 the Hard Bob Jazz Ensemble played at the Umbria Jazz Festival in Italy, while dancers from the New World School of the Arts performed in Kaohsiung, Taiwan.
In recent years the college has been sending representatives of the Miami International Film Festival each summer to mount a four-day, abbreviated version of the festival in Latin America, drawing local filmmakers, professors, and students to the screenings and events. This year “MIFF Abroad,” as it is called, went to Mexico, and past programs have been held in Chile and Colombia.
Book Fair-Cum-Literary Festival
The 25th Miami Book Fair International, scheduled for the second week of November 2008, will be held on the Wolfson campus just in advance of International Education Week. Padrón sees the book fair as “an invaluable opportunity for our students. Many of the authors arrive prior to their presentation and stay afterward to attend classes and interact with students in an intimate setting. The book fair provides the authors’ books to the particular classes in advance, and the students prepare for their close encounter. The authors hold book signings, but you can also find them wandering around, enjoying the festival themselves. The whole campus and even the city becomes a classroom that week.”
The president added, “Most of our students are the working poor, and they may not be aware of the reputations of many of the authors coming to the fair. But when an author visits their class, or when they attend a reading, their motivation skyrockets. Many students get involved as volunteers. Then there is the street fair, which is free for students, where they can bring their families and enjoy a relaxing day around the college. They get the sense that education is truly a lifelong process.”
Does Padrón see the literary festival as integral to Miami Dade’s educational mission or more as part of its civic duties? “Separating our civic and educational missions is a little difficult,” he replied. “We often talk about extending the classroom beyond the campus. We believe in the open door approach to education, and the book fair is an open invitation to everyone in the community to appreciate reading and writing. The book fair fits perfectly with our motto that ‘opportunity changes everything.’ We open the door to this opportunity.”